North Star Academy

Recently, in talking about literature is increasingly heard the word "fashionable". The tendency seems to be natural for the society, abiding in the endless stream of advertising. Was it predictable? – Yes. Will and beyond? – Rather total. Will to some positive results? – Hardly. Three short answer quickly to dot the "i". Regularity and predictability of such a trend is obvious, but some sort of logic is not burdened with reflections observed. Here's an example: 9:30 am subway car, crush, stale air, advertising, noodles, plumbers, fake medical certificates and literature.

Is not there a single drop of suspicions about its variety? Are advertised in underground literature and truth inspires confidence or interest? Basically, of course, it could be of interest, with its extremely low-lying species, called the idle curiosity. But let's imagine for a second – so to comparison – that next to the yellow leaf "registration" will be glossy advertisement about the following text: William Shakespeare "The Taming of the Shrew" – a fascinating tale in verse about a naughty young lady and her Admirer. For any of them will win? Read and learn how to re-bitchiness beauties. Or: "Romeo and Juliet" – proven for centuries tragedy of ruined love between two young hearts. Presented? Not jarred? Why, then, these colorful pieces of paper that promote the modern consumer goods, forced to flee in the first book? After reading this, I may say, the literature does not bring something a little bit useful for either souls, nor for the brain – not even entertaining as it should. Of course, use the "Fiction" is possible, but with a "but." A good idea to first get acquainted with the works, albeit imposed by the school curriculum, but at one time trained a very reading nation in the world. Read later though the inscriptions on the walls, but, first, the idea of the book in your head already is, and, secondly, it is unlikely after reading the first book with the poster you'll want to read the full collection works of "unparalleled" author. Classics sets the bar, the question remains: Does dotyanet to her spiritual level of the individual or the now fashionable reading would be "our all"?

In this aspect NERY it says the following one: Resumidamente, can be divided the history of the Portuguese orthography in three distinct periods. The first one adopted the fonogrfico principle. This period goes of the beginning of the language until century 16. In this phase, if it defended that the orthography would have to be next possible to the pronunciation of the words. As the period is called pseudoetimolgico and encloses centuries 16, 17 and 18. One understood that the words had to be grafadas according to its origins. In the case of the Portuguese language, the forms Greeks and Latins predominate.

The third period is called description-scientific and encloses centuries 19 and 21. This period is characterized for the elaboration of some ortogrficos agreements. Then, one perceives that comparative with chronology of the Portuguese language the ortogrficos attempts of reforms of the language and agreements between the lusfonos countries are recent. Until the primrdios of century XX in such a way in Brazil how much in Portugal if it used an orthography based we timos on them Latin and Greek in the grafia of each word. This caused diverse distortions in the writing. Therefore, for 1907 return the Brazilian Academy of Letters starts to simplify the writing some publications. Already Portugal with institution of the Republic starts in 1910 is created a commission to establish a uniformizada orthography and simplified that originated the 1911 reform, it was the first intervention of the state in the attempt to simplify and to normatizar the writing of the Portuguese Language. Valley to stand out that in this Portugal period it finishes to implant the Republic and the government had the interest to increase the escolaridade of the population and to fight the illiteracy. This reform had a great impact in the form to write and in official publications, also it served of parameter for other reforms that had come later.

Iriane Trindade and Milena Oliveira Summary: Many of the done readings of the romance ' ' Sad End of Policarpo Quaresma' ' , it has as mote the proud nationalism characterized by the protagonist Policarpo Quaresma, however, the text also can be read as a feminine representation of the time, very detached well through three personages, Ismnia, Adelaide and Olga. It is in this perspective that we develop this work, with intention to analyze the feminine representations boarded in ' ' Sad End of Policarpo Quaresma' '. (Abstract) novel Many of the readings of the ' ' Sad End of Policarpo Quaresma, ' ' has theme the overweening nationalism characterized by the protagonist Policarpo Quaresma, to however, the text also it might be read a representation of women at the teams, very well highlighted by three characters. It is this perspective that we develop this work, aiming you analyze the representations of women covered in ' ' Sad End of Policarpo Quaresma presented Article the Miriam teacher Branches, of disciplines Study of the Brazilian Literary Production, of course of Vernculas Letters of the University of the State of the Bahia-UNEB, Campus XXI, as requisite for complementation of the note. Academics of II the Nocturnal Semester, the University of the State of the Bahia-UNEB, Campus XXI.

Daily pay workmanship, characterized for criticizes to the government and the retraction of the Brazilian social problems, in which the author demonstrates in the history of Major Policarpo Quaresma, public officer aficionado by Brazil. The question of the nationalism argues mainly, but also it says of the disobediences politicians of the country, the nepotism, the recklessness of them to be able public and a social order and exculpatory politics. As it is possible to observe, the romance in allows innumerable possibilities them of analyses and understanding, however, we will go delimiting in them to only argue the questions of the feminine representations of the time, as well as analyzing the historical context in which if they had developed these personages.